Digital Wanderer

We live as long as we fly

Crimea — 2, Bakhchisaray Palace (Khan-saray)

After visiting Alimova Balka (I actually lied about us being there, we were near it, but not on the classic route) we took a minibus to the old town of Bakhchisaray to visit the famous Khan's palace — Khan-saray.

Bakhchisaray, by the way, means "garden-palace". This city is the capital of the Crimean Khanate, where various kinds of khans and khanychoks (that is, crappy khans who were bad at their jobs) used to sit.

Basically, a bunch of sheds. But I'm not spoiled, this shed was to my liking. The others turned their noses up, saying it's better in Italy. And I'll tell you — there's no damn point going to Crimea after Italy, you gotta hit up places in the right order, then there won't be any disappointments. Plus, an excess of cultural artifacts causes poisoning, so one palace per trip is just right, while in Italy, they say, the whole country is cluttered with them.

In Khan-saray, by the way, there is a fountain of tears, which Pushkin wrote a poem about. My colleagues decided that local oligarchs bribed him to glorify the shed for centuries to come. I'll drop some quotes from the poem where appropriate, just to make things more fun.

Panoramic view of the Bakhchisaray Palace with two minarets, tiled roofs of buildings, and autumn trees under an overcast sky. A part of a wooden bench and a lacy black fence are visible in the foreground.

General view of the heating pipes minaret towers of the palace

Entrance to the Bakhchisaray Khan's Palace with a tall minaret in the background. The facade above the arch is decorated with colorful murals and arched windows, visitors can be seen at the entrance.

Entrance

A group of tourists stands at the entrance to an old two-story palace-type building with elements of Eastern architecture, wooden wall paneling, and a painted facade. Next to the entrance on the wall under the arch hangs an information board with a map-plan. 

Tourists snagged a guide with the help of persistent Nina

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Interior fuckery finery

Girey sat with a downcast gaze;
The amber pipe smoked in his mouth;
In silence, the servile court
Crowded around the dreadful khan.

Night landscape of a park illuminated by a bright street lamp. Its light falls on green grass and several trees, and the outlines of residential buildings are visible in the background.

The ceiling. The khan slightly underdelivered, otherwise he would've invented Tetris

A gold embroidered throne with two dark decorative pillows, situated on a gray pedestal in a room with ornamented walls. In front of the throne is a sign reading 'Do not touch the exhibits'.

All was quiet in the palace;
In awe, everyone read
The signs of anger and sorrow
On his gloomy face.

Low sofas covered with patterned rugs, and windows with bright stained glass surround a rectangular stone fountain from which water is pouring. 

They chilled in the shed pretty well. They probably smoked opium and ganja here like steam engines

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The Fountain of Tears

There is an inscription: by corrosive years
It has not yet been erased.
Behind its foreign strokes
Water babbles in the marble
And drips with cold tears,
Never falling silent.
Thus weeps a mother in days of sorrow
For a son fallen in war.
The young maidens in that land
Learned the legend of old,
And that gloomy monument
They named the Fountain of Tears.

A two-story ancient building with light green walls framed by dark brown beams, multiple barred windows, and decorative green latticed panels. A group of people walks along the paved path under the building's richly decorated cornices. 

This is the women's bathhouse, pardon, wing

No, the timid wives of Girey,
Daring neither to think nor wish,
Bloom in dreary silence;
Under a watchful and cold guard
In the bosom of joyless boredom
They know no betrayals.
In the shadow of the protective dungeon
Their beauties are hidden:
Just as Arabian flowers
Live behind the glass of a greenhouse.
For them, in a dreary succession,
Days, months, years pass by
And unnoticeably lead away
Both youth and love with them.

An exquisitely decorated stucco portal with a dark opening, crowned by an arch with Arabic calligraphy, adorned with white, red, and gold floral and geometric patterns on a light wall.

I found some verses about the door too

Why is Girey's mind full of sorrow?
The chibouk in his hands has gone out;
Motionless, not daring to breathe,
The eunuch waits for a sign by the door.
The thoughtful ruler rises;
The door opens wide before him. Silently he
Goes into the cherished abode
Of his recently beloved wives.

 A bright crystal chandelier illuminates a richly decorated hall with a painted ceiling in Oriental style and light walls with arched patterns.

And there are verses about the lamp (almost)

There day and night a lamp burns
Before the face of the Most Holy Virgin;
The solace of an aching soul,
There hope dwells in silence
With humble faith,
And reminds the heart of everything
About a close, better land;

A large dark red rosebud in the foreground in front of a wooden pergola entwined with greenery. In the background, behind a white stone wall, rises a tall octagonal wooden tower with windows in the upper part.

This is the women's wing too

He knows the female temper;
He has experienced how cunning it is
Both in freedom and in captivity:
A tender gaze, the mute reproach of tears
Hold no power over his soul;
He no longer believes them.

A two-story painted building of the Khan's Palace in Bakhchisaray with white walls, bright ornaments, and wooden trim. In front of the building is a courtyard with a green bench, a rose garden, and large clay jugs by the wall.

Alas! The Bakhchisaray Palace
Hides a young princess.
Fading in quiet captivity,
Maria weeps and grieves.
Girey spares the wretched girl:
Her despondency, tears, and groans
Disturb the khan's brief sleep,
And for her he softens
The strict laws of the harem.

 View of the Big Khan Mosque with two tall minarets and a tiled roof, in front of which tourists stroll in the courtyard against the backdrop of a spreading autumn tree.

The courtyard

In the foreground is a richly carved wooden column with geometric and floral patterns. It frames a view into an interior or covered gallery with a light turquoise coffered ceiling, light walls, an arched door, a large carved screen, and a hanging lantern. 

The only part of the palace that has been preserved unchanged since it was built

All the wives sleep. One does not.
Barely breathing, she rises;
She walks; with a hurried hand
She opened the door; in the darkness of the night
She steps with a light foot...

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This isn't a palm tree, but nonetheless

Like a palm tree crushed by a storm,
She drooped her young head;
Nothing, nothing is dear to her:
Girey has fallen out of love with Zarema.

Exhibition of Eastern bladed weapons in a museum display case, including a helmet with a chainmail aventail, a round decorated shield, a dagger, and several curved sabers arranged symmetrically on a green background. 

There's also a museum in the palace

An antique metal jug with a long curved spout, a handle, and a conical lid, decorated with chased patterns, stands on a light surface. In the background, dark carved decorative panels are visible.

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In empty chambers and gardens;
Waters play, roses glow red,
And grapevines twine,
And gold gleams on the walls.

All in all, I liked the palace, highly recommend it to everyone. But Vova is right, you gotta get a guide, otherwise you won't learn or understand anything. Luckily, the guide was free, but only for groups of 20 people. Idiotic bureaucracy, as usual in the ex-USSR. Bureaucracy can be overcome by force, which Nina brilliantly demonstrated to us by gathering a small crowd of onlookers buying tickets and demanding a guide. In general, I was convinced once again that you should always and everywhere demand things, spin tall tales, and generally negotiate with jokes and persistence, then you'll always learn and see something interesting.

Visiting the palace, by the way, is paid, and not even cheap, around a few lats, and a full ticket is even more expensive. In general, in Ukraine everything costs money, even if it isn't exactly cheap.

After visiting the palace we had no time left, so we went to look for a place to sleep, which we found on the shore of a local reservoir. It's swampy, to get some water we had to wade in above our knees, squelching through the algae.

The water was for technical needs, that is, washing hands, pots, and making soup, and for this we had an excellent 20-liter canister with a tap.

The dark shore of a reservoir with a ridge of hills on the horizon under a gloomy sky. Bright sunlight breaks through the clouds and reflects in the water. 

Here's the kind of sunset we had over the reservoir

Landscape with a partially dried up reservoir under a cloudy sky. Wooded hills and a few buildings with a construction crane are visible on the horizon.

And another one

A cast-iron cauldron with a lid is set on a metal stove where wood and coals are burning. A night scene of cooking outdoors.

Vova came up with the smart idea to bring a grill to make cooking easier

 A night campsite in the forest with a pitched tent in the background. In the foreground on the ground lie a fallen log, a bow saw, a bottle of beer, and a white plastic bag.

An indispensable thing for getting an endless stream of firewood — the Fiskars saw

In a night clearing, a man and a smiling woman are cooking outdoors. The woman sits at a makeshift table full of chopped vegetables, holding tools in her hands, and the man holds a glass, standing next to a large pot on the ground. 

Nina is ready for takeoff

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Someone's working, and someone's glued to their iPhone

 Two men resting at night in a campsite by the fire: one sits in a chair with a headlamp, the other crouches next to a table with dishes and drinks.

The Conquerors-Boozers

 Two people sitting on the ground in the dark: on the left a man in glasses and a dark jacket, on the right a woman with a blue headlamp around her neck, holding a metal mug, with a surprised expression on her face.

Men in Black

Two men resting at night by the fire: one, illuminated by a headlamp, is pouring a drink from a bottle into a metal bowl, while the other sits thoughtfully nearby.

For now they're drinking what they brought from the motherland, but it won't be long, since we're in wine country

The evening passed peacefully, in a warm and friendly atmosphere, enhanced by a significant influx of warming substances. Where people fit so much booze, I don't know. But at least they start telling entertaining stories, especially Pasha, which were interesting for me to listen to even sober (I didn't drink then, and I don't now either).

All in all, the first day went quite decently, even though there were no bicycles. Already on the way to Crimea we found out that psychological compatibility among the participants was present, which, without a doubt, is one of the most important aspects of such tours.